Wednesday, December 19, 2007

Old Punks Never Die (They Just Sell Out)



I first heard of Debbie Harry and Blondie in the 7th grade. Being too young to know about any type of music that was outside of mainstream radio, like Punk, I didn't know about Blondie until their 1979 punk-disco crossover hit "Heart of Glass" climbed the charts and received major national radio airplay. At the time, I was kind of intimidated by Debbie Harry. She looked so tough. She was junkie-thin, and wore those Candies high-heeled slides that my mother wouldn't let me have. Her black roots revealed that her peroxide-blonde hair was a dye job, and what's more, she didn't give a shit! And most intimidating of all was that she sang the word "ass" in the song (cuz it rhymes with "Glass"). I heard it, once or twice, before radio stations replaced it with the censored version. But as scared as I was of Debbie (remember, I was only 12, growing up on Long Island in a conservative suburb of New York City), I did like "Heart of Glass." And when Blondie released their next single, "One Way or Another," I put aside my fears and bought the 45 rpm single at my local Record World. It shared Top 40 space with disco holdouts like Gloria Gaynor's "I Will Survive" and last-ditch efforts at '70s mellow music like Poco's "Crazy Love." But while disco ultimately died, and mellow music gave way to the New Wave and Heavy Metal noise of the '80s, Blondie was well on their way to becoming a hallowed musical institution.

Fast forward twenty-eight years. "One Way or Another" is now used in a Swiffer dry mop commercial. "Call Me," Blondie's theme song from the 1980 film American Gigolo, has been grossly misappropriated by a Massachusetts used-car dealership. And this week, I was shocked to see a commercial for NBC's game show The Singing Bee touting the fact that this Friday Debbie Harry would be joining rock and roll legend Little Richard, and the show's host Joey Fatone (of N'Sync fame) as the musical guest. Huh?

With the Hollywood writer's strike in its seventh week or so, network television is scrambling to come up with reality shows to fill the void left by the scripted dramas and sitcoms whose production has been halted by the strike. The commercial for The Singing Bee proudly heralds the show's "return." Translation: the show was pulled due to low ratings, but is back on the air because of the writer's strike. So why is Rock and Roll Hall of Fame-inductee Debbie Harry appearing on a tacky mid-season replacement game show that includes the likes of Fatone, and which has its own dancers, The Honey Bees (hey, wasn't that the name of the Beatle-esque pop group that Ginger, Maryann and Mrs. Howell formed on Gilligan's Island?). Does she really need the money? Of course, she is in her sixties by now. And in the grander scheme of things, one could argue that there really aren't all that many old punks, as many of them died in their prime, either by OD (Sid Vicious, or Malcolm Owen of The Ruts) or by suicide (Ian Curtis of Joy Division). So maybe selling the rights to songs and appearing on television shows is the punk rock star equivalent of Social Security. And punk itself doesn't evoke the same emotions as it used to. In 1976, punk scared the crap out of The Establishment. Over thirty years later, punk, like disco, is considered a farcical music and fashion movement of a past decade, as evidenced by a chocolate chip cookie commercial featuring claymation punkers singing "Chunky Chips Ahoy, oi, oi, oi!" I bet the kids watching that cookie commercial today wouldn't even know the origins of Oi (the Cockney Rejects' single "Flares and Slippers," FYI). But for someone who once sang "Die Young, Stay Pretty," Debbie looks pretty darn good for her age.

I for one will not watch Debbie Harry on The Singing Bee. I prefer to remember the Debbie Harry of the good old days of "Atomic" and "Rapture", ringing in 1980 on Dick Clark's New Year's Rockin' Eve, and of course, her Gloria Vanderbilt Jeans commercial (didn't she seem really stoned in that one?). We'll always have "Rip Her To Shreds."

Thursday, December 6, 2007

No No No to Ho Ho Ho?



I'm all for political correctness, but this is taking it too far. Some department stores are now having their Rent-a-Santas say "Ha Ha Ha" instead of "Ho Ho Ho." Why, you ask? Because the word "Ho" now has certain derrogatory connotations. How ridiculous. Do we really think Santa is calling our children an urban euphamism for prostitutes? "Ho Ho Ho" is merry in nature, reminiscent of Santa in Clement C. Moore's classic holiday poem "The Night Before Christmas." It positively evokes Santa laughing so hard that his belly shook like a bowl full of jelly. "Ha Ha Ha," on the other hand, sounds like someone is laughing at you. Witness Nelson Muntz from "The Simpsons," with his trademark "Ha Ha" (and, in one Christmas episode, when laughing at Ned Flanders, "Ha Ha - you're sad at Christmas.") Is Santa laughing at you? Could it be because you were foolish enough to stand outside of Kohl's to be first in line when they opened at 4 am the day after Thanksgiving to buy the new Tickle Me Elmo, only to discover that it was pulled from the shelves because it sounds like it's saying something obscene (but apparently not as obscene as the word Ho, which is why Santa can't use it anymore)?



That Nelson cracks me up.

Wednesday, December 5, 2007

Kinda Bumming Today



Forgive me if I'm not my usual cheery, irreverant self today, but I just learned that one of my neighbors died this week. It was sudden - no one had seen her all of last weekend, and then her daughter found her in her apartment on Monday. It makes me realize how you never know what will happen. I just saw her last week. She was in her car driving out of our apartment complex as I was walking in. We waved to each other. I didn't know it at the time, but it was the last time I would see her.

Usually I try not to get too chummy with my neighbors, in case they turn out to be kind of weird, or want to start coming over to visit all the time. I know, it's sort of anti-social of me, but I do like to keep to myself a lot of the time. But this lady was one of the few neighbors that I am friendly with. She was eldery, a widow who lived alone, although her children and grandchildren lived nearby. But she was fiercely independent. She once told me that, until very recently, she used to keep a loaded gun in her apartment and so she never locked her door at night ("If anyone got in, they'd never get out."). Her late husband was a police officer, so I guess she learned how to handle a gun from him. But that's the kind of spunky woman she was. And passing away suddenly in your own home beats dying in a nursing home, sick and feeble, sometimes for years, hands down.

It's especially sad for her family that she died around Christmastime. I lost my father ten years ago this month, just two weeks before Christmas, so I know how it can affect one's holidays for the rest of one's life. I still think about my father more at Christmas. But in a strange way, I derive a little comfort from the fact that he passed away around Christmas. When I go to church every year on the anniversary of his death to light a candle in his memory, I am comforted by the pointsettias and the Christmas decorations that adorn the church. And if I'm lucky, I'm treated to a rehearsal of the organist or the choir practicing Christmas music. In fact, on the first anniversary of his death, in a beautiful cathedral on the Upper East Side in New York City (near where I worked at the time), the organist started practicing while I was there. I was crying a little bit, and the first song that the organist played was my favorite Christmas carol, "O Come, O Come Emmanuel." It's pretty, yet kind of mournful, medieval and monastic in sound. I felt that it wasn't a coincidence -- that it was a gift to me that day, a sign that my father knew I was there, and that he was at peace. Sounds crazy, I know, but it made me feel better to think that. And maybe in time my neighbor's family will find the same comfort that I do during the holiday season.